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Review: Mati Diop’s ‘Dahomey’ Focuses More on Art Than on People
Mati Diop’s new documentary, Dahomey, is a dreamy little piece of observation,…
Comic Con 2024: The Pop-Cult Smorgasbord Goes On
The Voice has been covering New York’s Comic Con since its debut,…
A Guy Maddin Survey Revels in His Dreamy, Deadpan, Dizzying DIY Dramas
Master antiquary of the post-Surrealist WTF, Guy Maddin has been with us…
Review: ‘The Apprentice’ Blames Trumpism on a Dead Lawyer
A contemporary film reviewer’s most brutal challenge: taking on an origin-story biopic…
Review: ‘The Universal Theory’ Suffers From Observer Effect
You could be forgiven for thinking initially that the new German film…
Review: ‘The Substance’ Focuses on Surfaces – Both Smooth and Wrinkled
A look-at-me bid for outrageousness that fairly oozes with unironic vanity, Coralie…
Review: ‘The 4:30 Movie’ Is Too Little, Too Late
And so it comes to pass that the Sundance indie generation of…
Richard Lange’s New Novel Gives the Losers Some Love
It’s a sweltering Monday afternoon when Richard Lange walks into El Compadre,…
Review: ‘Reagan’ Glosses the Political for the Persona
Ronald Reagan deserves his own movie. While his popularity waxed and waned…