Review: “Maryam Yousif: Riverbend” at ICA San Francisco
An installation view of “Riverbend.” Nicholas Lea bruno / Courtesy of the…
Review: Katharina Grosse, “Pie Sell, Lee Slip, Eel Lips” at Gagosian
Katharina Gross, Untitled, 2024; Acrylic on canvas, 112 3/4 x 191 1/2…
Review: Smita Sen’s ‘Embodied’ at MOCA North Miami
Smita Sen uses sculpture, dance and technology to explore how the body…
Review: Howardena Pindell’s “Inner Space” at Garth Greenan
“Inner Space” surveys the artist’s career-long explorations of the boundaries between the…
El Barrio’s Triennial Expands Latinx Identity to a Global Perspective
An installation view of Cosmo Whyte’s Persona Non Grata, 2024, in Flow…
Review: Kristin Walsh’s ‘The working end’ at Petzel Gallery
Kristin Walsh with an installation from “The working end.” Photo: Daniel Polonsky.…
Review: The Car-Consciousness Art of Jason Rhoades at Hauser & Wirth
An installation view of “Drive II” at Hauser & Wirth in New…
Review: ‘Tina Girouard, Conflicting Evidence’ at Magenta Plains
An installation view of “Tina Girouard: Conflicting Evidence” at Magenta Plains. Image…
Review: The Design Museum London’s Barbie Exhibition
“Barbie: The Exhibition” marries bygone dolls, accessories and clothing with the larger…
48 Hours of Art in Denver: 1 Festival, 2 Museums and 5 Galleries
Picture in Picture by Signe and Genna Grushovenko on display at this…