Comic Con 2024: The Pop-Cult Smorgasbord Goes On
The Voice has been covering New York’s Comic Con since its debut,…
A Guy Maddin Survey Revels in His Dreamy, Deadpan, Dizzying DIY Dramas
Master antiquary of the post-Surrealist WTF, Guy Maddin has been with us…
Review: ‘The Apprentice’ Blames Trumpism on a Dead Lawyer
A contemporary film reviewer’s most brutal challenge: taking on an origin-story biopic…
Review: ‘The Universal Theory’ Suffers From Observer Effect
You could be forgiven for thinking initially that the new German film…
Richard Lange’s New Novel Gives the Losers Some Love
It’s a sweltering Monday afternoon when Richard Lange walks into El Compadre,…
DromFest ’24 Has Coaxed ’80s and ’90s Bands to Come Out and Play
When Al Crisafulli launched Dromedary Records out of his apartment in Lodi,…
Review: 45 Years Later, ‘Caligula’ Continues to be Disowned by Its Creators
The salacious folly that was Caligula (1979) has long been consigned to…
The Way We Were – A Child’s Garden of Watergate
Young Americans“Do you remember your President Nixon?” David Bowie asked the Watergate-gobsmacked denizens…
Capturing New York’s Mysterious – and Humorous – Plastic Street Strife
They sprout like fluorescent weeds — mostly orange, maybe lime-green, occasionally glowing…
‘Eva Hesse: Five Sculptures’: Humanity and Otherworldliness in the Artist’s Late Work
The 17 thin slices of "Augment" (1968) are oriented on the floor…