2024 Gotham Awards Winners: The Complete List
Keeping pace with Hollywood’s perpetual awards horserace. Sign up for the newsletter…
Review: Mati Diop’s ‘Dahomey’ Focuses More on Art Than on People
Mati Diop’s new documentary, Dahomey, is a dreamy little piece of observation,…
A Guy Maddin Survey Revels in His Dreamy, Deadpan, Dizzying DIY Dramas
Master antiquary of the post-Surrealist WTF, Guy Maddin has been with us…
Review: ‘The Apprentice’ Blames Trumpism on a Dead Lawyer
A contemporary film reviewer’s most brutal challenge: taking on an origin-story biopic…
Review: ‘The Universal Theory’ Suffers From Observer Effect
You could be forgiven for thinking initially that the new German film…
Review: ‘The Substance’ Focuses on Surfaces – Both Smooth and Wrinkled
A look-at-me bid for outrageousness that fairly oozes with unironic vanity, Coralie…
Review: ‘The 4:30 Movie’ Is Too Little, Too Late
And so it comes to pass that the Sundance indie generation of…
Review: ‘Reagan’ Glosses the Political for the Persona
Ronald Reagan deserves his own movie. While his popularity waxed and waned…
Review: 45 Years Later, ‘Caligula’ Continues to be Disowned by Its Creators
The salacious folly that was Caligula (1979) has long been consigned to…
Director Damian McCarthy on His ‘Oddity’
It’s hard to think of a cinematic image in recent memory that’s…