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Review: Mati Diop’s ‘Dahomey’ Focuses More on Art Than on People

 Mati Diop’s new documentary, Dahomey, is a dreamy little piece of observation,

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A Guy Maddin Survey Revels in His Dreamy, Deadpan, Dizzying DIY Dramas 

 Master antiquary of the post-Surrealist WTF, Guy Maddin has been with us

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Review: ‘The Apprentice’ Blames Trumpism on a Dead Lawyer

 A contemporary film reviewer’s most brutal challenge: taking on an origin-story biopic

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Review: ‘The Universal Theory’ Suffers From Observer Effect

 You could be forgiven for thinking initially that the new German film

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Review: ‘The Substance’ Focuses on Surfaces – Both Smooth and Wrinkled

 A look-at-me bid for outrageousness that fairly oozes with unironic vanity, Coralie

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Review: ‘The 4:30 Movie’ Is Too Little, Too Late

 And so it comes to pass that the Sundance indie generation of

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Review: ‘Reagan’ Glosses the Political for the Persona

 Ronald Reagan deserves his own movie. While his popularity waxed and waned

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Review: 45 Years Later, ‘Caligula’ Continues to be Disowned by Its Creators  

 The salacious folly that was Caligula (1979) has long been consigned to

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Director Damian McCarthy on His ‘Oddity’

 It’s hard to think of a cinematic image in recent memory that’s

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