How MAM’s Chief XO Is Recentering Santiago Calatrava’s Vision
The Quadracci Pavilion has become an icon of the city. Photo: Front…
Review: ‘Shifting Landscapes’ at the Whitney
Teresita Fernández, Fire (America) 3, 2016; Glazed ceramic, 72 × 144 ×…
Review: “The Time Is Always Now” at the Philadelphia Museum of Art
An installation view of “The Time is Always Now: Artists Reframe the…
Review: “Maryam Yousif: Riverbend” at ICA San Francisco
An installation view of “Riverbend.” Nicholas Lea bruno / Courtesy of the…
Review: Smita Sen’s ‘Embodied’ at MOCA North Miami
Smita Sen uses sculpture, dance and technology to explore how the body…
El Barrio’s Triennial Expands Latinx Identity to a Global Perspective
An installation view of Cosmo Whyte’s Persona Non Grata, 2024, in Flow…
Review: The Design Museum London’s Barbie Exhibition
“Barbie: The Exhibition” marries bygone dolls, accessories and clothing with the larger…
48 Hours of Art in Denver: 1 Festival, 2 Museums and 5 Galleries
Picture in Picture by Signe and Genna Grushovenko on display at this…
Observer’s Guide: The Best Art Galleries and Museums in Málaga, Spain
The Casa Natal de Picasso on the Plaza de la Merced de…
Review: Pierre Huyghe’s “Liminal” at Punta Della Dogana | Observer Art
“Pierre Huyghe. Liminal” is at Punta della Dogana in Venice through November…